Directed by: James Cameron
Written by: James Cameron and David Giler
“That’s it, man. Game over, man. Game over! What the fuck are we gonna do now? What are we gonna do?” — Bill Paxton as Private Hudson
• • •
I really wanted to like this movie, damn it.
Even in 2017, the hype was undeniable. James Cameron, fresh off his legacy-launching job at the helm of The Terminator, was directing the sequel to arguably the best science fiction film of the 20th century. Everyone I’ve talked to about Aliens has heaped praise upon it. I went into this movie expecting it to be bigger and scarier than the original.
But it’s just bigger. And more annoying.
The original Alien thrives by putting a small crew in a claustrophobic hellhole from which there is no escape. It works because the smaller cast makes each character actually take on a life — whereas Aliens brings an entire squad of marines into the picture, for the sole purpose of being able to have more kill sequences without running out of human ammo. But I just can’t bring myself to care about any of those characters. In fact, they’re not even characters — they’re just pawns being sent out to be destroyed en masse.
This movie is aggravatingly predictable across the board. In the first film, Ian Holm plays a traitorous android whose sole mission is to get the “perfect organism” back to the company, with the rest of the crew ID’d as expendable. In the sequel, we have Bishop, an android who from the start Ripley distrusts and despises loudly and openly. But of course James Cameron isn’t going to play the same villain trick again, and there’s a sense that Bishop has to do something to redeem the viewers’ negative impressions of androids (which of course he does).
Paul Reiser with his charming baby blues plays Burke, the new company man. Let’s not forget that this is the same company that sold out the crew in the first film in order to get the alien back to Earth and study it. But don’t worry! Everything is different now, and Burke assures Ripley that he wants to help destroy these creatures at all costs, which no sane viewer can buy for even a millisecond.
This all sets up a suicide mission in which the characters plunge down onto a space colony that has been torn apart by the xenomorph aliens. Everyone’s dead. Well, except for Newt, the young girl who has somehow survived while hiding among the wreckage, just waiting for Ripley to show up. Ripley takes on a motherly role for the child, and the dynamic between the two is one of the real enjoyable aspects of Aliens. Sigourney Weaver received an Oscar nod for best actress, and I have to believe that the scenes between her and the young actress Carrie Henn are a big reason for the nomination.
The movie’s strongest moments come through effects and makeup, and there are some truly dazzling sequences. The xenomorphs remain terrifying, and now that there’s an entire horde of them, chaos and violence follows wherever they roam. And that can be a whole lot of fun, don’t get me wrong.
But I can’t excuse the lazy storyline that just doesn’t have enough emotional bite to captivate me. There was a phenomenal sequel that could have been made here. Cameron just didn’t make it.